Sunday 21 October 2012

THEATRE AND MOVIE REVIEWS OCTOBER 2012

Theatre and Movie Reviews October 2012

Scenes From An Execution

Saturday 20th October. 2012

Scenes from an Execution was both superb and epic. Outstanding acting from lead Fiona Shaw in her depiction as Galactia the Venetian artist (16th Century) who is commissioned by Church and State to paint the celebrated Battle of Lepanto. The epic painting is so realistic in its depiction of carnage that both Church and State are horrified which leads to her incarceration only to be released months later as a celebrity figure with a cult following. Very telling about the artists of the day, their school of thought, how Church and State had power/ influence over how historical events were represented and reproduced in works of art and writing. Comical, provocative, sex and politics.





Love Marilyn. Empire Theatre. Leicester Square.

Sunday 14th October. 2012

Love Marilyn is a documentary directed by Liz Garbus and expertly edited by Azin Samari. It has been released for the 50th Anniversary death of once troubled film star, Marilyn Monroe. The film actors reading excerpts and interpreting her words include Uma Thurman, Glenn Close, Ben Foster, Marisa Tomei, Jeremy Piven, Viola Davis, Ellen Burstyn, Adrian Brody and other actors of note. Newly released notes, diary entries and letters in Marilyn’s own hand writing from Lee Strasberg’s archives talk of hopes in finding true love, dreams of being a credible actor in New York, accounts from her everyday life as well as coping with her depression and the obsessive need for self improvement. She battles head on with 20th Century Fox film studio asking for dramatic acting roles instead of being cast as the ‘dumb blonde’ or ‘femme fatal’ but resorts to forming her own production company. Marilyn was the top box office draw card for 20th Century Fox during her career but wasn’t receiving the same wages as Elizabeth Taylor and Jane Russell as seen with the comparative wage slips. Considering the information comes from the Strasberg estate, it’s obvious that certain information surrounding Strasberg and his wife’s influence over Marilyn might be have been restricted for this film. The film also incorporates a multitude of photos spanning her life and career including her nudes on red velvet, which made their way to the first issue of playboy. Hugh Hefner got his hands on them and only paid Marilyn the paltry sum of $50. An essay from Truman Capote and a select group of live interviews are used incorporating interviews from people who knew Marilyn which have been expertly woven into the chronological storyline including her two husbands Joe DiMaggio and Arthur Miller. We have seen this information before in countless books, movies and biographies but with a new spin on it, this film isn’t tiresome but quenches our thirst for insights into the elusive starlet whilst leaving us still mystified about the Marilyn mystique.


Suzi Quatro Hippodrome Leicester Square
Monday 29th October 2012

There is no doubt that Suzi Quatro is ‘the’ rock chick supreme and despite her long time rocker image she can still wear the trademark black leather jump suit. Looking fabulous for her 62 years the voice has lost its top notes and the keys of the songs could be taken down a notch. In saying that, there were more stories, photos and film clips to watch/ listen to instead of her actual performance, which was limited. It was for me, an insight into the 70’s, 80’s rock star, her long road to fame, courage at starting her career alone in her teenage years across the pond in London, the sacrifices, Elvis and how her image came about. Even though she has performed in theatre her delivery of dialogue and jokes didn’t’ quite gel and were at times awkward where a scriptwriter could have made it work seamlessly, as too the sequencing of clips and photographic images needed a professional touch. Suzi has had a long and illustrious career on stage, theatre, radio and TV which some of us can only dream about.